After Intersectionality: A New Book on Black Feminism

This post is part of our blog series that announces the publication of selected new books in African American History and African Diaspora Studies. Black Feminism Reimagined: After Intersectionality was recently published by Duke University Press. 

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The author of Black Feminism Reimagined is Jennifer C. Nash, Associate Professor of African American Studies and Gender & Sexuality Studies at Northwestern University. She earned her Ph.D. in African and African American Studies from Harvard University. Her research centers on Black feminist theories; Black sexual politics; race, gender, and law; race, gender, and visual culture; and women’s/gender/sexuality studies’ institutional histories and politics. She is the author of The Black Body in Ecstasy: Reading Race, Reading Pornography (Duke University Press, 2014) which was awarded the Alan Bray Memorial Book Prize by the GL/Q Caucus of the Modern Language Association, as well as Black Feminism Reimagined: After Intersectionality (Duke University Press, 2019). She edited Gender: Love (MacMillan, 2016). and co-edited a special issue of Feminist Formations titled “Institutional Feelings: Practicing Women’s Studies in the Corporate University.”  She has published articles in journals including SignsFeminist TheoryGLQ, Social Text, and Feminist Studies. Follow her on twitter @pornoscholar.


In Black Feminism Reimagined Jennifer C. Nash reframes Black feminism’s engagement with intersectionality, often celebrated as its primary intellectual and political contribution to feminist theory. Charting the institutional history and contemporary uses of intersectionality in the academy, Nash outlines how women’s studies has both elevated intersectionality to the discipline’s primary program-building initiative and cast intersectionality as a threat to feminism’s coherence. As intersectionality has become a central feminist preoccupation, Nash argues that Black feminism has been marked by a single affect—defensiveness—manifested by efforts to police intersectionality’s usages and circulations. Nash contends that only by letting go of this deeply alluring protectionist stance, the desire to make property of knowledge, can Black feminists reimagine intellectual production in ways that unleash Black feminist theory’s visionary world-making possibilities.

“This book troubles the water of black feminism’s various permutations. It asks tough questions and provides nuanced answers. It is a must-read for scholars in the field. Jennifer C. Nash is a key voice in black studies, and if we didn’t know that before, we know it now.” — Sharon Patricia Holland, author of, The Erotic Life of Racism


Emerald F. Rutledge: Books have creation stories. Please share with us the creation story of your book—those experiences, those factors, those revelations that caused you to research this specific area and produce this unique book.

Jennifer C. Nash: This book was born from my experiences as a feminist scholar working in women’s studies. I wanted to understand the myriad ways I see intersectionality invoked in the university: in university strategic plans, in women’s studies’ departments and programs mission statements, in graduate recruitment material, and in diversity initiatives. I aspired to make sense of a moment where it seemed to me that intersectionality had become a – or perhaps the – academic feminist program building initiative, and a shorthand for the single best and most ethical kind of feminist work possible.  If, as I had argued in one of my earlier articles, intersectionality’s virtue was once thought to be its capacity to bring complexity to feminist research, something had changed. Suddenly intersectionality was hailed for its capacity to “solve” feminism’s exclusionary problems, to “center” the correct bodies, to name forms of violence and to resolve them, often simply by naming them.

If the university’s administrative investment—albeit rhetorical—in intersectionality sparked my interest, I was also invested in what I saw unfolding in my women’s studies classrooms. I wanted to understand why the undergraduates who enrolled in my feminist theory courses had all encountered intersectionality long before they had come to my class, and not because of their familiarity with Black feminist scholarship. The term had become part of the currency of university life—and certainly part of the Left currency of university life. For many of my students, the term was an unqualified “good,” a way of securing one’s Left political bona fides.

How were bBack feminists—including myself—to understand a moment where a term that had been intimately associated with Black women’s experiences was now the center of women’s studies, even as the discipline remained wholly uninterested in Black women’s experiences?  The book, like all of my work, was born from a commitment to Black women thinkers, and from a sense that the conditions of the present had left us in a defensive posture, one where we had made intersectionality into Black feminist property that we claim, guard, and hold close.  What the book, then, wants to do is to reimagine black feminism as it is practiced and – more importantly – felt, in the US academy.

Copyright © AAIHS. May not be reprinted without permission.

Emerald Rutledge

Emerald Rutledge is a graduate student in the Afro-American Studies Department at The University of Wisconsin-Madison in the fall. Her research interests include black feminisms, black popular culture, and artistic-activism. Follow her on Twitter @emeraldfaith.