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AAIHS

African American Intellectual History Society

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Author: Rhon Manigault-Bryant

On Nostalgia: HBO’s ‘Watchmen’ and Black Religion in Three Sacred Facts

February 10, 2020February 9, 2020 Rhon Manigault-Bryant #Watchmen, Black film, digital media, film, music, popular culture, religion

*This post is part of our online forum organized by Ahmad Greene-Hayes on HBO’s hit series Watchmen.  Warning: This essay

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Sometime Between: Living Archives and the Power of Black Agency

September 25, 2017September 29, 2017 Rhon Manigault-Bryant #AAIHSRoundtable, #NewWorld, religion

This post is the introduction to our online roundtable on Judith Weisenfeld’s New World A-Coming In the opening pages of New World A-Coming: Black

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33 Counts, 70 Bullets, and A Chilling Confession

December 19, 2016August 16, 2017 Rhon Manigault-Bryant #CharlestonSyllabus, Charleston, South Carolina

F.B.I. Agent Michael Stansbury: “Um, look, can you tell us about what happened last night?” Dylann Storm Roof: “Uh (pauses),

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An Open Letter to White Liberal Feminists

November 19, 2016November 21, 2016 Rhon Manigault-Bryant black feminism

Dear White Liberal Feminists, After Donald J. Trump’s election to the highest and most powerful political office of the United

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Haunting Harmonies: Filmic Sounds in 12 Years a Slave and The Birth of a Nation

October 21, 2016October 20, 2016 Rhon Manigault-Bryant Black film, music, The Birth of a Nation

The recent release of The Birth of a Nation (Fox Searchlight, 2016) has resulted in a surprising blaze of dissonant

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