Rhythms of Resistance in Afro-Latino Identity, Music, and Culture
The opening beats from the bombas de pellejo at Bad Bunny’s Super Bowl Halftime show came from an instrument brought
Read moreThe opening beats from the bombas de pellejo at Bad Bunny’s Super Bowl Halftime show came from an instrument brought
Read moreIn today’s post, Ashley Everson, a managing editor of Global Black Thought (the official journal of AAIHS), interviews Andrea Morales Loucil about
Read moreTina Post’s first monograph, Deadpan: The Aesthetics of Black Inexpression, charts the territory of deadpan as a Black aesthetic practice. Deadpan, a
Read moreOctober 11, 2023 to October 19, 2023 Black Perspectives, the award-winning blog of the African American Intellectual History Society (AAIHS),
Read moreThis post is part of our online roundtable on Jafari S. Allen’s There’s a Disco Ball Between Us. “Crossings,” M. Jacqui Alexander reminds
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